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PRESONUS ERIS 8 8" POWERED NEARFIELD MONITOR (Each)

ERIS E8

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  • ERIS E8
PreSonus E8

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Our Price AUD $349.00

PRESONUS ERIS 8 8" POWERED NEARFIELD MONITOR (Each)


When you’re serious about creating music, you need monitor speakers that will reveal all of the flaws in your tracks and mixes. Eris professional studio monitors deliver the truth, thanks to very accurate response, tight bass, and clear upper end.

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PRESONUS ERIS 8 8" POWERED NEARFIELD MONITOR (Each)

Nothing But the Truth.

When you’re serious about creating music, you need monitor speakers that will reveal all of the flaws in your tracks and mixes. Eris professional studio monitors deliver the truth, thanks to very accurate response, tight bass, and clear upper end.

Today’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-series studio monitors offer extensive user controls not usually found in their price class.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.

The Acoustic Space Control

All Eris speakers provide three EQ controls in their Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the Eris with a subwoofer.

In addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don’t want to roll off those lows, set it to 0 dB.

This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don’t have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors’ response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.

Safety Matters

Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these.

Features:

Components and construction

  • 4.5-inch (E4.5) / 5.25-inch (E5) / 8-inch (E8) Kevlar® low-frequency transducer
  • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
  • Front-firing (E5 , E8) / rear-firing (E4.5) acoustic port for superior bass-frequency reproduction
  • Optimized, resonance-suppressing internal bracing
  • 100 dB (E4.5) / 102 dB (E5) /105 dB (E8) maximum continuous SPL


User controls

  • HF Driver Adjust (±6 dB, continuously variable)
  • Midrange Driver Adjust (±6 dB, continuously variable)
  • Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
  • Highpass filter (Off, 80 Hz, 100 Hz)


Power and safety

  • 50 (E4.5) / 70 (E5) /130 watt (E8), Class AB biamplification
  • RF interference, output current limiting, over-temperature, transient, and subsonic protection
  • Amplifier “soft start” feature eliminates popping on power-up
  • Internal power supply with IEC connector
  • Power switch with on/off LED


Inputs and outputs

  • Balanced XLR/¼-inch and unbalanced RCA inputs (E5/E8)
  • Balanced ¼-inch TRS and unbalanced 1/8-inch TS, RCA inputs (E4.5)
  • 1/8-inch stereo headphone output (E4.5)

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