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SKU: STUDIO 192

PRESONUS STUDIO 192 26 X 32 USB 3.0 AUDIO INTERFACE AND STUDIO COMMAND CENTER


The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity, as well as professional monitoring and mixing controls, in a single rack-space.

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PRESONUS STUDIO 192 26 X 32 USB 3.0 AUDIO INTERFACE AND STUDIO COMMAND CENTER




This PreSonus product now includes Studio Magic. This suite of plug-ins brings extended sonic functionality to any DAW, including Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes. The Studio Magic suite includes SPL Attacker, Mäag Audio EQ2, Lexicon’s MPX-i Reverb, Eventide H910 Harmonizer, Eventide Stereo Room, Brainworx bx opto compressor and the Arturia Analog Lab Lite —classic analogue synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments.




The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity, as well as professional monitoring and mixing controls, in a single rack-space. Whether you’re a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.


Your studio command center.


The Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.


XMAX preamps, now with remote control.



  • Transparent sound that won't color the tone of your instrument 

  • Control preamps from within the Studio One mixer

  • Control preamp settings via MIDI in Pro Tools, Logic, or Live and save settings with your recordings

  • The ease of digital recall with the quality of Class A analog circuitry 



The Studio 192 includes eight remote-controlled XMAX™ preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response.  The resulting musicality and transparency provides smooth, solid sonic reproduction.


The Studio One in Studio 192. 


Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you will find full preamp control and zero-latency monitor-mix functions integrated into your recording environment. Our exclusive hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer, so you can record and monitor with zero-latency using Studio 192-based Fat Channel EQ and dynamics processing and seamlessly switch to the native Studio One Fat Channel plug-in for playback with no audible change.


Zero-latency monitor mixing and control. 


Because we can’t create the same integrated Studio One experience in every recording application, the Studio 192’s onboard features can also be controlled in UC Surface’s battle-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.


Great signal processors are a PreSonus tradition.


Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 includes Fat Channel processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.


A smooth trip from analog to digital.


The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You’ll hear every breath, transient, and detail in your recordings.


Expandable when you need more I/O.


The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192.  Available in early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. The DigiMax DP88 mic preamps are fully remote-controllable from UC Surface when connected via ADAT Lightpipe to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.


Get your hands on a Studio 192.


Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space, with pristine audio up to 192 kHz, zero-latency effects, eight remote-controllable preamps, monitor mixing, speaker switching, headphone amps, and tight DAW integration.


Features:


Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space: pristine audio up to 192 kHz, zero-latency effects, remote controllable preamps, monitor mixing, speaker switching, headphone amps and tight integration within your recording environment:


Integrated Zero-Latency Monitoring



  • Zero latency monitoring with award-winning StudioLive™ Fat Channel processing on every analog input and the first ADAT inputs.

  • Total integration with Studio One® for multitrack music production, zero-latency monitor mixing with effects, and studio command features. Studio One Artist included.

  • Wireless control over preamp levels, monitor mixing, and speaker switching from UC Surface for iPad and Windows Surface or Studio One Remote for iPad.


Your Studio Command Center



  • Ultra low latency, 24-bit, 192 kHz USB 3.0 audio interface (backwards compatible with USB 2.0)

  • Simultaneous I/O up to 26 inputs / 32 outputs (8 x 14 at 192 kHz)

  • Flawless analog signal path with top-quality 118 dB digital conversion

  • Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface

  • Onboard talkback mic

  • Two high-volume headphone outs with dedicated DACs for optimal headphone monitoring


Flexible Connectivity



  • 8 XMAX™ remote controllable mic preamps with individual 48V Phantom Power switching and 85 dB gain range.

  • 2 instrument inputs, available via dual-purpose front-panel combo jacks

  • 6 balanced line level direct to ADC inputs, available via dual-purpose rear-panel combo jacks

  • 8 balanced TRS ¼” outputs for monitor mixing and speaker switching

  • ADAT / Dual SMUX Optical inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channel at 88.2 or 96 kHz

  • Stereo S/PDIF coaxial input and Output

  • BNC Wordclock input and output with low-jitter clocking


Digitalia



  • Compatible with most music software for Mac or PC.

  • USB 2.0 compatible


Physical



  • Road-rugged construction with all-metal chassis and metal knobs

  • 1U rack-mountable

  • 18 VDC external power supply (included)


Bundled Software



  • Studio One® Artist license included, PreSonus’ revolutionary digital audio workstation for Mac and Windows, with unlimited track count and 2 GB content

  • UC Surface for Windows and Mac PCs, Windows 8 touch computers and iPad


Computer system requirements:


Below are the minimum computer-system requirements for the Studio 192:


Mac®



  • Operating System: OS X 10.8 or later Hardware

  • Minimum: Intel® Core™ 2 processor, 4 GB RAM

  • Recommended Hardware: Intel® Core™ i3 processor or better, 8 GB or more RAM



Windows® PC



  • Windows 7x 64/x86 SP1 or Windows 8/8.1 x64, Windows 10 x64

  • Intel® Core™ 2 processor (Intel® Core™ i3 processor or better recommended)

  • 4 GB RAM (8 GB or more recommended)



Windows and Mac



  • USB 2.0 port (USB 3.0 recommended)

  • Internet connection

  • Monitor resolution of 1280 x 800 px or higher

  • 20 GB hard-disk space

  • Internal or external 7200 RPM storage drive highly recommended


Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.


The speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system.





































































































































































































































































































































Microphone Preamp


 
Type

XLR Female (via Combo), Balanced Remote


Maximum Input level (min. gain, 1 kHz@0.5% THD+N)

+12 dBu, +/-0.5 dB


Gain Control Range

60 dB, +/-1 dB


Frequency Response (A-D)

10 Hz to 40 kHz, +/-0.2 dB


Dynamic Range (min. gain, a-wtd)> 110 dB
Dynamic Range (mid. Gain, unwtd)> 105 dB
THD+N (min. gain, a-wtd)< 0.005%
Input Impedance1600 Ω
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd)< 128 dBu
Common Mode Rejection Ratio (1 kHz, +55dB gain)> 55 dB
Phantom Power+48 V, +/- 3 V, > 8mA per channel

Instrument Inputs


Type¼” TS Female (via Combo), Unbalanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N)+16 dBu +/-0.5 dB
Gain Control Range60 dB, +/-1 dB
Frequency Response (A-D)

20 Hz to 20 kHz, +/-0.2 dB


Dynamic Range (min. gain, a-wtd)> 110 dB dB
Dynamic Range (mid. Gain, unwtd)> 105 dB
THD+N (1 kHz, -1 dBFS, a-wtd)< 0.005%
THD+N (1 kHz, -1 dBFS, un-wtd)

< 0.005%


Input Impedance> 1 MΩ
Crosstalk (1 kHz, channel-to-channel)< -80 dB

Line Inputs


Type

¼” TRS Female (via Combo), Balanced


Maximum Input Level (min. gain, 1 kHz@0.5% THD+N)+ 18 dBu, +/-0.5 dB
Frequency Response (A-D)

20 Hz to 20 kHz, +/-0.2 dB


Dynamic Range (min. gain, a-wtd)

> 114 dB


Dynamic Range (mid. gain, unwtd)> 105 dB
THD+N (1 kHz, -1 dBFS, a-wtd)< 0.005%
Input Impedance10 kΩ
Crosstalk (1 kHz, channel-to-channel)< -80 dB

Main and Line Outputs


Type (Line Outputs)

¼” TRS Female, Impedance Balanced


Type (Main Outputs)

XLR Male, Impedance Balanced


Maximum Output Level+18 dBu, +/-0.5 dB
Frequency Response

20 Hz to 20 kHz, +/-0.2 dB


Dynamic Range (a-wtd)> 112 dB
THD+N (1 kHz, -1 dBFS, un-wtd)< 0.005%
Output Impedance

51 Ω


Crosstalk (1 kHz, channel-to-channel)

< -80 dB



Headphone Outputs


Type

¼” TRS Female, Stereo, Unbalanced


Maximum Output Level

150 mW/channel @ 60 Ω


Frequency Response20 Hz to 20 kHz, +/-0.3 dB
Dynamic Range (a-wtd)

> 103 dB


THD+N (1 kHz, -1 dBFS, un-wtd)

< 0.005%


Crosstalk (1 kHz, channel-to-channel)< -80 dB

Internal Talkback Microphone


TypeElectret Condenser
Sensitivity-42 dB

Signal Level LEDs


Signal 1

-50 dBFS


Signal 2

-30 dBFS


Signal 3

-20 dBFS


Signal 4

-10 dBFS


Signal 5-6 dBFS
Signal 6-4 dBFS
Signal 7-2 dBFS
Clip-0.5 dBFS

Digital Audio


Host InterfaceUSB 3.0 (backwards compatible to USB 2.0)
ADC Dynamic Range (A-wtd, 48 kHz)118 dB
DAC Dynamic Range (A-wtd, 48 kHz)

118 dB


Bit Depth

24 bits


Internally Supported Sample Rates

44.1, 48, 88.2, 96, 176.4, 192 kHz


ADAT Optical I/O

ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]


S/PDIF I/ORCA female connections, supported up to 96 kHz
Word Clock I/O

BNC connector, 4.5 Vpp @75Ω load



Clock


Jitter

<50 ps RMS (20 Hz – 20 kHz)


Jitter Attenuation>60 dB (1 ns in => 1 ps out)

Power


External Power Adapter+18 VDC, 2.6A, center-positive
Connector TypeBarrel:  5.5 mm OD, 2.1 mm ID, 9.5 mm length

Physical


Dimensions1U rackmount
Height1.75” (44.45 mm)
Depth5.5” (139.7 mm)
Width

19” (482.6 mm)


Weight4.9 lb. (2.22 kg)

 


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Ask a question below or Call us on 03 9372 6664 or Visit us at GH Music Pty. Ltd 100 Mt. Alexander Road, Flemington, VIC 3031, Australia.
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Our Price AUD $1,299.00
Don't pay RRP AUD $1,647.05